1 Aborigine
 Colorless hot glass is treated with metal salts which partly are desolved or decomposed in the heat to get colors, bubbles and unreacted salts

2 Ambrato
Onto the glass vessel salts and/or yellow powder of silver are applied and oxidized in the oven

3 Argentato ossidato
On the surface of the glass vessel silver is oxidized

4 & 5 Arlechino
On colorless glass, opaque glass spots are laid and overlaid with transparent glass

6 Avventurina
Metal compounds like those from copper are melted in the glass and cooled down very slowly

7 a Ballaton
 Spike molded spherical vessel with gold leaf application

8 - 10 Barbarico
Colorless glass with layers of metal compounds yielding a textured surface sometimes with added gold foil

11 -17 Battuto
 A technique in the finishing room where the surface of the object is wheel carved by different tools and grinding directions into patterns.

18 a Bolle
 A technique where bubbles are created in a thick walled vessel through the use of a metal form.  The form is removed and a final layer of glass is applied. The bubbles result from the holes left by the metal form.

21 & 22 Bollicine
 A technique where chemicals or other substances are added to the glass which will create, upon heating, small air bubbles.

23 & 24 Bollicine Sommerso
 A technique to create small bubbles within the layers of colorless and colored glass.  This is achieved generally by the addition of chemicals.  The object sometimes contains metal foils

25 & 26 Bordure
 A defined pattern is formed by applying a glass band which is turned or folded in a defined manner

27 Caccia
 On a glass body premanufactured rectangular glass murines are densely  applied and rolled flat

28 - 30 a Canne
 A technique where wide canes of glass are fused together.

31 'Christian Dior' Flacon
Horizontal and vertical canes of glass and colors are applied to colorless glass like a net

32 & 33 Clio
On a colorless glass body wide canes of glass are melted

34 a Colori
 A technique where pieces of glass are placed together and fused in the oven. The fused glass is then blown into the desired shape.

35 Contrappunto
 A colored glass vessel is several times overlaid with the colored glass and finally with a thick layer of colorless glass

36 Corniola
copper ruby red opaque glass

37 Coronato d'oro
the colored or colorless glass is blown with a gold foil into a mold to get the twisted ribbing or rope

38 - 42 Corroso
 A technique where acid is placed on the finished surface of the vessel to create a corroded surface.

43 Crepuscolo
 Inclusions of steel or copper wool between two or more layers of glass

44 Cristallito
 On a colorless vessel, silver foil covered strings of colorless glass are melted

45 Decorato argento
Opaline glass with applications of premanufactured silver foils which react in the heat to yield these spots

46 -49 Dorico
 On a glass body, premanufactured rectangular glass murines are densely  applied and rolled flat

50  Doppio Incalmo
A vessel made from two or more individual glass bubbles blown to the same diameter, the opened bubbles are fused together

51 Doppio Incalmiciato
A vessel made from three individual glass layers, the inner layer in opaque glass

52 & 53 Eldorado (Aur. Toso)
 thick colorless glass with embedded glass chips, zanfirico canes, copper aventurine and often a star murrine

57 & 58 a Fasce Applicate
 A technique where panels of glass are placed on a vessel and then blown into the desired form

59 - 63 Fenicio
 A technique where bands of glass are pulled and stretched to create a pattern

64  & 65 a Fili
 A technique to create a vessel whose surface appears to be decorated with threads of color.  After the colorless vessel is shaped but while still hot, colored glass threads are applied to the surface of glass.

66 & 67 Filigrana
 Blown glass decorated with colorless, white or colored preformed glass canes (Seguso vetri d'arte with gold foil)

68 & 69 Floreale
 Glass vessel decorated by polychrome glass murrine showing flowers and leafs applied when still hot

70 Forato
 A technique where the vessel is pierced to create one or more openings.

71 Framentato
Thick colorless glass with various embedded zanfirico and millefiori sections and overlapping colored areas

72 Giada
 Inclusions of steel or copper wool between two or more layers of glass.

73 Incalmo
A vessel made from two or more individual glass bubbles blown to the same diameter, the opened bubbles are fused together

74 - 77 Incamiciato
 Two or more layers of glass, one of which is opaque.

78 Inciso
 A technique where the vessel, after it is annealed, is cut in the finishing room to create the desired pattern.

79 - 81 Intarsio
Two or more different colored glass triangles are applied to a colorless glass body in regular formation

82 Iridato
 A technique where the surface of the object is treated with a chemical spray to create an iridescent finish.

83 & 84 Kiku
 Premanufactured flower murrines are warmed up in the oven and rolled onto a colorless glass ball and then blown up to yield the desired form

85 Laguna gemmata
 Colorless hot glass is treated with a special  metal salts which are mainly desolved or decomposed in the heat to get the color, bubbles and unreacted salt

86 Lapis lazuli
 A mixture of opaline white and opaque blue glass

87 - 92 Lattimo / Lattimo aurato / argentato
 Opaque white glass / with gold / silver foil.

87 - 92 Lattimo / Lattimo aurato / argentato
 Opaque white glass / with gold / silver foil.

87 - 92 Lattimo / Lattimo aurato / argentato
 Opaque white glass / with gold / silver foil.

93 Luminoso
Glass with spaced vertical application of two threads of zanfirico canes.

94 - 99 Macchie / Macchia ambra verde
 A technique where colored, molten glass is dripped onto the vessel in an abstract pattern.

100 - 103 Merletto
Even if the designer does not explain the technique, it appears to be done using several layers of irregular mezza filigrana

105 - 111 Mezza filigrana (sommerso)
 A technique where thin glass threads are melted in a helical pattern and placed between two glass layers.

112 Mexico
Irregular glass strings and canes of one or several colores are rolled onto a white-opaque glass body.

112 Micene
 On a glass body, premanufactured rectangular glass murrines are densely  applied and rolled flat. After an application of a gold foil, the body is then blown.

113 - 115 Millefiori
glass out of flower or/and star murrines

117 Momento, Sommerso
 A technique where a thick walled clear glass vessel has an internal layer of colored glass

117 & 118 Moresci
 On a glass body premanufactured rectangular glass murrines are applied in a regulated pattern and rolled flat

119 -120 Mosaico
A glass murrine is made by placing several glass canes together into a desired pattern and then fusing the glass into one cane.   The resulting cane is then sliced into discs. These discs are placed in the desired pattern and then fused and blown into the desired shape.

121 -122 Mosaico zanfirico
A glass murrine is made by placing several glass canes together into a desired pattern and then fusing the glass into one cane.   The resulting cane is then sliced into discs. These discs are placed in the desired pattern and then fused and blown into the desired shape.

123 - 139 Murrine
A glass murrine is made by placing several glass canes together into a desired pattern and then fusing the glass into one cane.   The resulting cane is then sliced into discs. These discs are placed in the desired pattern and then fused and blown into the desired shape.

130 Laccato (Picture under murrine)
 In this technique pre-manufactured small red spheres are melted together to obtain the intensive red color. By this means the piece looks like it has been lacquered.

139 Murrine (Doppio) incalmo (Liccata)
One murrina or a band of murrina is fused between clear or opaque glass

140 Murrine fiori
Several single murrina are composed to form a flower

142 - 148 Murrine opaque, polichrome, serpente, triangulare
Different kinds of murrine techniques using opaque glass, multi colored stripes, sometimes forming a snake, or three-cornered shapes.

149 Neo murrine
Opaque colored murrina with a black border are melted together in the oven and blown up into the desired form.

150 Nerox
 Colorless glass is overlaid with a black surface and then  glass spots or murrines are applied.

151 Occhi
Fused square mosaic sections with a colorless core and an opaque or transparent rim

152 - 154 Oriente (Aur. Toso)
 Thick colorless glass is embedded with glass chips, zanfirico canes, copper aventurine and often a star murrine.

155 Oriente (Barovier & Toso)
On colorless glass several layers of silver foil, canes, and colored glass blown into a mold

156 & 157 Parabolici
 On a glass body premanufactured rectangular opaline glass murrines are densely applied and rolled flat.

158 Pennelate
 A technique to create a vessel whose surface appears to be decorated with brushstrokes of color.  After the colorless vessel is shaped, but while still hot, the surface is ‘painted’ with a hot colored cane of glass.

159 Pezzame
 A technique where triangular pieces of glass are fused together to form the vessel.

160 Pezzato
 A technique where rectangular and/or squared pieces of glass are fused together to form a vessel of patches.  

161 - 164 Pittoresce
 Threads of glass are laid on the glass ( in some designs this is then overlaid with colorless glass )

165 Pittorico
 Onto foamy glass, pieces of colored glass are applied.

166 - 167 Piume
Solid glass vessel cased several times with a opaque 'feather murrines'

168 Polichrome
Bands of colored glass are laid onto an opaque or clear glass vessel.

169 & 170 Porpora d'oro
gold foil applied on the hot glass and oxidized

171 -173 Pulegoso
Petroleum is added to molten transparent glass in order to get burst and unburst bubbles

174 - 176 a Puntii
Opaque glass dots are applied in the heat onto transparent glasses  

177 & 178 a Rete
 After the vessel is formed,  but before it is placed in the annealing oven, thick glass canes are applied to the surface of the vessel, in a net pattern.

179 - 181 Reticello
 Two counter rotating filigree bubbles are formed, the second is blown up into the first